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Modern Japanese Art and the Meiji State - The Politics of Beauty de .. Sato

Descripción - Reseña del editor This is an insightful and intelligent re-thinking of Japanese art history & its Western influences. This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870-80s, artists and government administrators in Japan encountered the Western 'system of the arts' for the first time. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools and museums - and even to establish Japanese words for art, painting, artist, and sculpture. 'Modern Japanese Art' is a full re-conceptualization of the field of Japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history. Biografía del autor Doshin Sato is professor of Japanese art history at the Tokyo University of the Arts. The original Japanese edition of this book, published in 1999, was the winner of the Suntory Prize for Social Sciences and Humanities.

Modern japanese art and the meiji state the politics of originally published in japanese in 1999, modern japanese art and the meiji state the politics of beauty meiji kokka to kindai bijutsu bi no seijigaku by satō dōshin was hailed as the culmination of the ongoing attempts by some japanese art historians, including satō himself, to adopt a more selfreflexive approach to their own discipline1 Modern japanese art and the meiji state the politics of modern japanese art and the meiji state the politics of beauty by dōshin satō translated by hiroshi nara introduction by chelsea foxwell Modern japanese art and the meiji state the politics of modern japanese art is a full reconceptualization of the field of japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of western and nonwestern art history

Japanese art in the meiji period oer2go key points the meiji period september 1868 through july 1912 represents the first half of the empire of japan, during which japanese society moved from being an isolated feudalism to its modern form during this period, western style painting yōga was officially promoted by the government, who sent promising young artists abroad for studies and hired foreign artists to establish an art Modern japanese art and the meiji state the politics of modern japanese art and the meiji state the politics of beauty by dōshin satō review modern japanese art and the meiji state the politics of beauty by dōshin satō review guth, christine 20140719 000000 and the rich fields of womens history and regional history, would do well to learn from as an accessible and pleasurable read, this book is recommended to scholars, across Modern japanese art and the meiji state the politics of in the 187080s, artists and government administrators in japan encountered the western system of the arts for the first time under pressure to exhibit and sell its artistic products abroad, japans new meiji government came facetoface with the need to create europeanstyle art schools and museums and even to establish japanese words for art, painting, artist, and sculpture

Detalles del Libro

  • Name: Modern Japanese Art and the Meiji State - The Politics of Beauty
  • Autor: .. Sato
  • Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
  • Tamaño del archivo: 11 MB
  • Tipos de archivo: PDF Document
  • Idioma: Español
  • Archivos de estado: AVAILABLE


Descarga Modern Japanese Art and the Meiji State - The Politics of Beauty de .. Sato Libro PDF

Modern japanese art and the meiji state the politics of get this from a library modern japanese art and the meiji state the politics of beauty dōshin satō this broadranging and profoundly influential analysis describes how western art institutions and vocabulary were transplanted to japan in the late nineteenth century in the 1870s and 1880s, Modern japanese art and the meiji state getty contents vi acknowledgments vii note to the reader 1 introduction chelsea foxwell 27 prologue the present status of the history of art part 1 the politics of modern art institutions, economics, and art history 44 chapter 1 meiji art and art administration 66 chapter 2 art and social class the class system in early modern japan and the formation of art Modern japanese art and the meiji state 豆瓣 modern japanese art and the meiji state 作者 dōshin satō 佐藤道信 出版社 getty research institute 副标题 the politics of beauty 原作名 明治国家と近代美術 美の政治学 译者 hiroshi nara 出版年 2011719 页数 416 定价 cad 7226 装帧 hardcover isbn 9781606060599

Modern japanese art and the meiji state the politics of modern japanese art and the meiji state represents nothing less than a reconceptualization of the field of japanese art history it exposes the politics through which the words, categories, and values that still structure our understanding of the field came to be while revealing the historicity of western and nonwestern art history Japanese art meiji period from the khalili collections japanese art of the meiji period publications available from wwwkhalilicollections each work of art in the khalili collections has been meticulously conserved, researched, catalogued and published as part of what is considered to be one of the most ambitious art scholarship projects in modern history Modern japanese art and th meiji state the politics of beauty modern japanese art and th meiji state the politics of beauty article in asian studies review 363426428 september 2012 with 12 reads how we measure reads


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